I remember enjoying it too; as you say, the concept of it was intriguing, but at the same time it is hard to shake the feeling that sex+violence+Three=DOES NOT COMPUTE! I mean, Three from Season 8 on is about as cosy as Doctor Who gets (and I mean that as an observation rather than a criticism, Three fans).
I think it highlights one issue that the MAs/PDAs ran into; where writers tried to make them more than novel-length professional-standard fanfics, the effect was always a little bit jarring. On the one hand, people like Mark Gatiss and Gareth Roberts were writing spot-on pastiches of Two-era historicals or Three-Master Shenanigans or Season 17 hijinks, which were great reads, but unambitious. On the other hand, the stories that tried to actually do significant things to the characters came off as a little bit strange, slotted as they were into gaps in the onscreen continuity. I can't remember now whether they had some sort of reset button in place, but it stretches credulity that the UNIT posse could go through something like "Rags" and then all be back to cosy-cups-of-tea-in-the-lab and bantering-with-the-Brig the very next week.
no subject
I think it highlights one issue that the MAs/PDAs ran into; where writers tried to make them more than novel-length professional-standard fanfics, the effect was always a little bit jarring. On the one hand, people like Mark Gatiss and Gareth Roberts were writing spot-on pastiches of Two-era historicals or Three-Master Shenanigans or Season 17 hijinks, which were great reads, but unambitious. On the other hand, the stories that tried to actually do significant things to the characters came off as a little bit strange, slotted as they were into gaps in the onscreen continuity. I can't remember now whether they had some sort of reset button in place, but it stretches credulity that the UNIT posse could go through something like "Rags" and then all be back to cosy-cups-of-tea-in-the-lab and bantering-with-the-Brig the very next week.